Culture
Twilight at 20: the many afterlives of Stephenie Meyer’s vampires
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This year marks the 20th anniversary of Stephenie Meyer’s novel, Twilight, writes Sarah Olive.
The book series of the same name has sold over 160 million copies, been translated into 38 languages and adapted into five blockbuster films.
Vampires are perennially popular, largely because we make and remake them to help us address our social concerns and fears. As author Nina Auerbach argues in her 1995 book Our Vampires, Ourselves: “We make the vampires we need for the times we live in.”
Watch: Vampire baseball, from the first Twilight movie (2008)
The vampires of Twilight captured the spirit of 2005. Fantasy fiction and film with a central struggle between good and evil abounded: think Harry Potter and The Lord of the Rings. The melancholy of Twilight’s characters also chimed with chart-topping emo music (which formed some of the soundtrack for the film adaptations).
The novel follows the relationship between teenage human Bella Swan and vampire Edward Cullen, a centenarian soul in an immortal late-teenage boy’s body. The book appealed to the millennial feminism of 2005: it was told from Bella’s point of view, and Edward’s aesthetic (preppy minimalism) and pastimes (reading and playing piano) offered an alternative to machismo. But does Twilight offer the vampires we need in 2025?
Criticism of the Twilight saga has gained momentum in recent years. Much attention has focused on the series’ representations of abstinence. Some of the abstinence has been widely celebrated, including the way that Edward eschews human blood and has converted his family to “vegetarian” vampirism. They feed off animals rather than humans. Other instances are more divisive, such as his refusal to “turn” Bella into a vampire – despite her repeated requests – and insistence on abstaining from sex until they are married in the fourth novel, Breaking Dawn (2008). He only relents and turns her into a vampire when she nearly dies during childbirth.
Edward’s leading role in determining the couple’s physical relationship, and their subsequent dominant-submissive dynamic, has attracted much feminist critique. Especially about the suitability of a Bella as role model for young women.
Critics and those who “love to hate” Twilight alike have also explored a prominent moment where Edward gaslights Bella. Gaslighting refers to consciously manipulating someone into thinking their perception of reality is untrue.
Watch: A fan video about Edward’s ‘gaslighting’ behaviour with over 1.5 million views on YouTube
Meyer describes him racing across a carpark in time to stop an out-of-control car from crushing Bella using only his bare hands. Fearing his supernatural nature will become public, he repeatedly tells Bella that she’s deluded because of her injuries – he claims he was stood next to her at the time of the accident. He makes Bella and other characters question her true version of events and persuades them to believe his lie.
Another behaviour that has met with debate is Edward repeatedly breaking into Bella’s bedroom to watch her sleep – is it romantic, creepy or criminal?
Meyer’s response
Partly in response to these accusations of anti-feminism, Meyer published the novel, Life and Death: Twilight Reimagined in 2015 to celebrate the tenth anniversary of Twilight’s release.
The novel is a gender-swapped version of Twilight with vampire Edythe and human Beau. The debate around turning Beau into a human takes up far less space than in Twilight. He is turned after being attacked by a vampire from another coven, a marked departure from Bella’s slower trajectory. Meyer’s claims in the book’s introduction that it is possible to invert the protagonists’ genders and have the same story were therefore undercut.
Watch: Stephanie Meyer talks to Time in 2008
Meyer has retold the saga from the perspective of other characters too. There’s The Short Second Life of Bree Tanner (2010) based on the third book in the saga, Eclipse (2007), and Midnight Sun (2020), which recounts Twilight from Edward’s point of view.
There has been much speculation that Meyer has a tricky relationship with Twilight fan fiction, such as the Fifty Shades of Grey series by E.L. James – best-selling sado-masochistic erotica novels and blockbuster films that began life as Twilight fan fiction.
Creating alternative versions of her novels seems to be Meyer’s way of regaining control over them in the face of the abundant, unauthorised, creative responses made by fans.
Twilight’s lack of diversity
In addition to its debated feminist credentials, shortfalls in the diversity of the series may also influence Twilight’s longevity.
Where the Me Too movement has made a significant impression on attitudes towards sexual assault, movements such as Black Lives Matter and We Need Diverse Books have shifted them in relation to race, sexuality and other marginalised identities since the saga was first published.
A scene showing adult werewolf Jacob Black “imprinting” on baby Renesmee in Breaking Dawn has been decried not only in relation to consent and age inappropriateness, but also racist stereotyping.
Watch: The moment Jacob ‘imprints’ on Bella and Edward’s infant daughter in the film
Imprinting in the saga is depicted as an involuntary phenomenon wherein Quileute shape-shifters (an Indigenous community to which Jacob belongs) are bound for life to someone instinctively perceived to be their soulmate. It works a little like love at first sight, except that it immediately entails the imprinter’s utter dedication to and responsibility for their imprintee.
Openly queer characters aren’t a feature of Twilight but, as with gaps in its racial and gender representation, fans have filled the voids they identify with their own interpretations and creations.
Meyer is currently collaborating with Netflix to adapt Midnight Sun as an animation. This may add impetus to the “Twilight renaissance” exemplified by user-generated content in recent years, but the truly powerful reincarnations that will enable Twilight to navigate the challenges thrown at it in recent years, and in years to come, will continue to come from the Twihards (as fans of the series are known) themselves.
Sarah Olive is a Senior Lecturer in Literature at Aston University. This article originally appeared in The Conversation.
The views expressed here are those of the author and do not represent or reflect the views of RTÉ
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“Giorgio Armani, Milano, for love’’ at the Brera Art Gallery opens today, mere weeks after the celebrated designer’s death at the age of 91.
Featuring 129 Armani looks from the 1980s through the present day, the exhibition places his creations among celebrated Italian masterpieces by such luminaries as Raphael and Caravaggio.
It is one of a series of Milan Fashion Week events that were planned before Armani’s death, to highlight his transformative influence on the world of fashion.
“From the start, Armani showed absolute rigor but also humility not common to great fashion figures,’’ said the gallery’s director Angelo Crespi. “He always said that he did not want to enter into close dialogue with great masterpieces, like Raphael, Mantegna, Caravaggio and Piero della Francesca.’’
Instead, the exhibition aims to create a symbiosis with the artworks, with the chosen looks reflecting the mood of each room without interrupting the flow of the museum experience – much the way Armani always intended his apparel to enhance and never overwhelm the individual.
A long blue asymmetrical skirt and bodysuit ensemble worn by Juliette Binoche at Cannes in 2016 neatly reflects the blue in Giovanni Bellini’s 1510 portrait “Madonna and Child”; a trio of underlit dresses glow on a wall opposite Raphael’s “The Marriage of the Virgin”; the famed soft-shouldered suit worn by Richard Gere in American Gigolo, arguably the garment that launched Armani to global fame, is set among detached frescoes by Donato Bramante. Every choice in the exhibition underscores the timelessness of Armani’s fashion.
Armani himself makes a cameo, on a t-shirt in the final room, opposite the Brera’s emblematic painting “Il Bacio” by Francesco Hayez.
“When I walk around, I think he would be super proud,’’ said Anoushka Borghesi, Armani’s global communications director.
Armani’s fashion house confirmed a series of events this week that Armani himself had planned to celebrate his 50th anniversary. They include the announcement of an initiative to support education for children in six Southeast Asian, African and South American countries. The project, in conjunction with the Catholic charity Caritas, is named “Mariu’,’’ an affectionate nickname for Armani’s mother.
In a final farewell, the last Giorgio Armani collection signed by the designer will be shown in the Brera Gallery on Sunday, among looks he personally chose to represent his 50-year legacy.
“Giorgio Armani – 50 Years” opened to the public today at the Pinacoteca di Brera in Milan, Italy. The exhibition lasts until 11 January 2026.
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If you’re reading this today, Wednesday 24 September 2025 could be the last day before the end of the world as you know it.
If you’re reading this tomorrow, you weren’t blipped out of existence and good luck with all the rebuilding. Please do better.
Confused? We’ve got you covered.
According to the more holy corners of TikTok, it has been prophesized that yesterday – or today, they couldn’t make their minds up on which one, so just go with it – is the day of the Rapture.
For the filthy heathens among you, that’s the long-awaited end-time event when Jesus Christ returns to Earth, resurrects all dead Christian disciples and brings all believers “to meet the Lord in the air.”
It wasn’t yesterday, clearly, so today’s the day… And turn off that R.E.M. song, this is serious.
This all stems from South African pastor Joshua Mhlakela, who claimed that the Rapture will occur on 23 or 24 September 2025. Mhlakela said that this knowledge came directly from a dream he had in 2018, in which Jesus appeared to him. Mhlakela reiterated all of this on 9 September in an interview with CettwinzTV and since then, the prophecy has become a viral sensation on TikTok.
Many individuals on the social media platform have taken this literally and very seriously, with more than 350,000 videos appearing under the hashtag #rapturenow – leading to the trend / popular subsection dubbed ‘RaptureTok’.
Some videos mock the prophecy, but you don’t have to scroll for too long to find those who are completely convinced that it’s happening today.
There’s advice on how to prepare; tips on what to remove from your house should certain objects contain “demonic energy”; and testimonies of people selling their possessions. One man, who goes by the name Tilahun on TikTok, shared a video last month, in which he said he was selling his car in preparation for the big day. “Car is gone just like the Brides of Christ will be in September,” he said.
One woman in North Carolina was live recording yesterday from the Blue Ridge Mountains, fervently keeping an eye on any holy activity in the sky. Another claimed that her 3-year-old started speaking in Hebrew, thereby confirming that it’s all legit.
Some more distressing videos include American evangelicals saying goodbye to their children for the last time… We won’t share those, as they’re actually quite depressing.
It’s hard to completely blame TikTok users for wanting the final curtain to drop, as things aren’t going too great down here on Earth. That being said, it’s worth noting that the Bible never actually mentions the Rapture; it’s a relatively recent doctrine that originates from the early 1800s, one which has gained traction among fundamentalist theologians – specifically in the US, where everything is fine, civil conversation is alive and well, no one’s worried, and they’re all enjoying their “God-given freedoms”.
So, if the Rapture does come to pass, we here at Euronews Culture will be eating a whole concrete mixer full of humble pie. If it doesn’t, see you tomorrow, and do spare a thought for those who are going to be very disappointed on Thursday 25 September.
And if extra-terrestrial beings followed Tara Rule’s advice (see below), thank you alien visitors for joining in on the fun. And if you could provide some much-needed guidance on how to do better, that would be grand.
Only a few more hours left to find out…
Culture
‘Dawson’s Creek’ reunion sees James Van Der Beek make surprise appearance amid cancer battle
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- Kate O’Connor receives hero’s welcome at Dundalk homecoming
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- ‘Dawson’s Creek’ reunion sees James Van Der Beek make surprise appearance amid cancer battleRead more on post. 6kP_x”I(6Y&vv�ETq3rj 5IS@Т >~)JՍZ}”JsjM9DmlUEbNZkqc#ӺƏ9.ܔdܛnJǷoMv -2j9m6Q:n4^N`/9kn^ F.0XUXA8XAojLg*z8 Z1aMXY}3*|&+=MFWkشz`Tba֑9!zWW.S`HXYkRy=@2�`’bClPz^L$V�+MsB0=uMcOݩʃ??x9 Ӝs4Ы֙?r>v.:3iT;>tDvq>t)2K“b96z3M7Ҿ6Ǯ�.Q�8&уlQx˛yly珬ſ’)m3CȅZHƘ!B|!},c8>t/kHY,w=ŷ¸W۶(;HxGc(j ŒqƣTFH!dXV]Xr!$gz_U ?|>Z@*] I756RTj`p’ߕ$v&yk0#Mp’%!C}}XE +w!s|Mrk2°DuA- +vC#9�0V2}ldĒ� 5‚Pj~,r6gT+鵽xPikKH#Ρ|y/P~I8M*|܅!%%畫^@”;݈7ԅDA+b_|ܾJ.): ! OyZRlj2aE`6k5nTn0HCe@BytRl:(Kf7lˊ9̦CCp%pip OnnLKzl:;7ڀ; Ű@[̍RI$l@}..04 ́7!0 Fckט..&8wu”iml1:9_s/RvB-vz@pAnհ ?kjAM]b�ʆݙeް dPS(XC֡[Oc8m}`:_f9h2aW0T8>|DÚTʔG$%M’ވ x5Fb-,ϒ0-xNJĂѡR4 0IY+DɳL+٩9>`kibM@QiXZ6h?˶W݀lylfn}=Z0Z)[ީPܦ}ѯ2 47mJJeBsHSW}[Bx�UoaăY&oAl-“.bhIm7í[!8N$giN;^rn_Ĕ}³S2مц4߰oqdtDJMF Go3�W�!u(cq=GR|?FqԈIv1]L#9 b)th twu?/5kKx;{!~$a@_YRkѶzGTI|G/wֈ?4F2[,$$B#YЦ(>הO-J2@q]pܽw+00U%:=Gp+%M`I;tRw}1» 3jW#ѓ!OҖLi”?ƞC!~hb?RWaSJj{nfBn0KdQ-2bBThZKC4= 2[=Dɧ8څH[sr(|c2v�Wpw>Meh;= VrDž>4zfߥi@cR9Od>,k[‘.#5-6!eRNq[K`jTBN5Bl 0486Kl&s̟YX烿6z8![NkiؓmFJg99:N”8IFE$H͂vA|1v-q.Am,O~xB;:z鐵Zn=?gNEDf(“xl,KtK0|o5.׀-bSñD{6�P*&T3w}`vHGdCTrzڝ:j{tM} 9 oެ.NpO#̌6;Ywz,KLo6$ :nL!2)}qI&.&Jh 5-+.z[ I!v-1By$Sۋ; ;n~ҍBLbE/ˏs,YN5D~Rh$I;9⣹f� h~4FN&2wzA.n”&c!Fqf{0=O”R| PuԽUGR5){p4y#h2gn]ojIxn]SZsǝ ]__܇02?ccjɥ c6N:亂cc *8V?b;#)Wpї!L,>PUmgm, Un^}X 9g.rjKGΜ>cA;PnrY՞>zw3^_haIH=O]5N7H@u_3i6k{F3}wq>Bػ`L**I:UH*wf&ĔB &Z:Xw1j?RdXhn9zŔ1LB#Z`֣n6^yp!O jAT^NϞË)6& x- oދ! ҄wu/m0wǕ”2+s&wv?UVcm>(nbyS(4 t4ԎrGs@!QՐ5X62}ə5-xC챛MB@’c?Mz2,muF!Q2v9Ngr,{]y%FMktV{;:eDHig0FŹH@ gZ6D}6m{3+^X0… Read more: ‘Dawson’s Creek’ reunion sees James Van Der Beek make surprise appearance amid cancer battle
- Booker Prize 2025: Kiran Desai, David Szalay and Andrew Miller among shortlisted authorsRead more on post. This year’s Booker Prize shortlist features an epic globetrotting love story between two young Indians; a man in the throws of a midlife crisis who undertakes a road trip across the US; a successful actor whose life is thrown into dissary by the appearance of a man who may or may… Read more: Booker Prize 2025: Kiran Desai, David Szalay and Andrew Miller among shortlisted authors
- Brian’s back – what’s so funny about peace, love & understanding?Read more on post. On April 10, 1999, I was in the producer’s chair in Studio 4 in RTÉ while we aired a special episode of a live Saturday night chat show called Kenny Live, hosted by Pat Kenny. The show was paying its respects to the late actor and comedian, Dermot Morgan, who died… Read more: Brian’s back – what’s so funny about peace, love & understanding?
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