Culture
Italian actor Claudia Cardinale, ‘who lived more than 150 lives’, dies aged 87
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Claudia Cardinale, a glamorous symbol of postwar Italian cinema who enjoyed a long and varied acting career on film and in the theatre, has died at age 87, according to AFP and other French media.
Raised in Tunisia to a family of Sicilian origin, Cardinale’s introduction to the movie world came in 1957 after she won a beauty contest in Tunis and was rewarded with a trip to the Venice film festival.
Her voice had to be dubbed for her first Italian screen roles because she had grown up in a family where Sicilian dialect was spoken and had been educated at a French-speaking school.
Her early career was also complicated by a secret pregnancy which she said was the result of an abusive relationship. She gave birth to a son, Patrick, in London in 1958 and passed him off as a younger brother for several years while he was brought up by her parents.
After a series of smaller roles, she shot to international fame in 1963 when she featured in Federico Fellini’s 8½ while she also starred alongside Burt Lancaster in The Leopard in the same year.
Shooting two films at the same time brought complications, with Cardinale recalling that she had to have different hair colours for the two roles.
In an interview with the Guardian in 2013, Cardinale contrasted the approaches of directors Fellini and Luchino Visconti, who directed The Leopard.
“[Fellini] couldn’t shoot without noise. With Visconti, the opposite, like doing theatre. We couldn’t say a word. Very serious,” she said.
Her growing profile opened the door to Hollywood productions and she appeared in the comedy caper The Pink Panther, directed by Blake Edwards, and Sergio Leone’s Once Upon A Time In the West in 1968.
Cardinale’s career took a hit in the 1970s, after she separated from film producer Franco Cristaldi to start a lifelong relationship with film-maker Pasquale Squitieri, with whom she had a daughter, also called Claudia.
Angry at being dumped for another man, Cristaldi asked friends and associates in the Italian cinema industry to ostracise Cardinale, resulting for example in Visconti turning her down for his last film, The Innocent (1976).
“It was a very delicate moment. I discovered I had no money in my bank account,” Cardinale said about the period.
Franco Zeffirelli eventually came to her rescue, casting her in the 1977 television miniseries Jesus of Nazareth. She then continued working with other European directors, including Werner Herzog and Marco Bellocchio.
The husky-voiced, chain-smoking Cardinale had a reputation as a fiercely independent, free-spirited woman, who once defied Vatican protocol by showing up for a meeting with Pope Paul VI in a miniskirt.
A 2022 book celebrating her life was called, Claudia Cardinale: The Indomitable.
Based for much of the time in France, and friends with presidents Francois Mitterrand and Jacques Chirac, Cardinale turned to the theatre around the turn of this century, winning plaudits for her appearances on the stage.
She carried on making films in a variety of European languages until late in her life, appearing in Swiss TV series Bulle in 2020.
Awarded a lifetime achievement at the Berlin Film Festival back in 2002, she said acting had been a great career.
“I’ve lived more than 150 lives, prostitute, saint, romantic, every kind of woman, and that is marvellous to have this opportunity to change yourself,” she said.
“I’ve worked with the most important directors. They gave me everything.” – Reuters
Culture
Giorgio Armani creations interplay with Italian masterpieces at new Milan exhibition
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“Giorgio Armani, Milano, for love’’ at the Brera Art Gallery opens today, mere weeks after the celebrated designer’s death at the age of 91.
Featuring 129 Armani looks from the 1980s through the present day, the exhibition places his creations among celebrated Italian masterpieces by such luminaries as Raphael and Caravaggio.
It is one of a series of Milan Fashion Week events that were planned before Armani’s death, to highlight his transformative influence on the world of fashion.
“From the start, Armani showed absolute rigor but also humility not common to great fashion figures,’’ said the gallery’s director Angelo Crespi. “He always said that he did not want to enter into close dialogue with great masterpieces, like Raphael, Mantegna, Caravaggio and Piero della Francesca.’’
Instead, the exhibition aims to create a symbiosis with the artworks, with the chosen looks reflecting the mood of each room without interrupting the flow of the museum experience – much the way Armani always intended his apparel to enhance and never overwhelm the individual.
A long blue asymmetrical skirt and bodysuit ensemble worn by Juliette Binoche at Cannes in 2016 neatly reflects the blue in Giovanni Bellini’s 1510 portrait “Madonna and Child”; a trio of underlit dresses glow on a wall opposite Raphael’s “The Marriage of the Virgin”; the famed soft-shouldered suit worn by Richard Gere in American Gigolo, arguably the garment that launched Armani to global fame, is set among detached frescoes by Donato Bramante. Every choice in the exhibition underscores the timelessness of Armani’s fashion.
Armani himself makes a cameo, on a t-shirt in the final room, opposite the Brera’s emblematic painting “Il Bacio” by Francesco Hayez.
“When I walk around, I think he would be super proud,’’ said Anoushka Borghesi, Armani’s global communications director.
Armani’s fashion house confirmed a series of events this week that Armani himself had planned to celebrate his 50th anniversary. They include the announcement of an initiative to support education for children in six Southeast Asian, African and South American countries. The project, in conjunction with the Catholic charity Caritas, is named “Mariu’,’’ an affectionate nickname for Armani’s mother.
In a final farewell, the last Giorgio Armani collection signed by the designer will be shown in the Brera Gallery on Sunday, among looks he personally chose to represent his 50-year legacy.
“Giorgio Armani – 50 Years” opened to the public today at the Pinacoteca di Brera in Milan, Italy. The exhibition lasts until 11 January 2026.
Culture
The last day of doomsday: What is the viral ‘RaptureTok’ trend?
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If you’re reading this today, Wednesday 24 September 2025 could be the last day before the end of the world as you know it.
If you’re reading this tomorrow, you weren’t blipped out of existence and good luck with all the rebuilding. Please do better.
Confused? We’ve got you covered.
According to the more holy corners of TikTok, it has been prophesized that yesterday – or today, they couldn’t make their minds up on which one, so just go with it – is the day of the Rapture.
For the filthy heathens among you, that’s the long-awaited end-time event when Jesus Christ returns to Earth, resurrects all dead Christian disciples and brings all believers “to meet the Lord in the air.”
It wasn’t yesterday, clearly, so today’s the day… And turn off that R.E.M. song, this is serious.
This all stems from South African pastor Joshua Mhlakela, who claimed that the Rapture will occur on 23 or 24 September 2025. Mhlakela said that this knowledge came directly from a dream he had in 2018, in which Jesus appeared to him. Mhlakela reiterated all of this on 9 September in an interview with CettwinzTV and since then, the prophecy has become a viral sensation on TikTok.
Many individuals on the social media platform have taken this literally and very seriously, with more than 350,000 videos appearing under the hashtag #rapturenow – leading to the trend / popular subsection dubbed ‘RaptureTok’.
Some videos mock the prophecy, but you don’t have to scroll for too long to find those who are completely convinced that it’s happening today.
There’s advice on how to prepare; tips on what to remove from your house should certain objects contain “demonic energy”; and testimonies of people selling their possessions. One man, who goes by the name Tilahun on TikTok, shared a video last month, in which he said he was selling his car in preparation for the big day. “Car is gone just like the Brides of Christ will be in September,” he said.
One woman in North Carolina was live recording yesterday from the Blue Ridge Mountains, fervently keeping an eye on any holy activity in the sky. Another claimed that her 3-year-old started speaking in Hebrew, thereby confirming that it’s all legit.
Some more distressing videos include American evangelicals saying goodbye to their children for the last time… We won’t share those, as they’re actually quite depressing.
It’s hard to completely blame TikTok users for wanting the final curtain to drop, as things aren’t going too great down here on Earth. That being said, it’s worth noting that the Bible never actually mentions the Rapture; it’s a relatively recent doctrine that originates from the early 1800s, one which has gained traction among fundamentalist theologians – specifically in the US, where everything is fine, civil conversation is alive and well, no one’s worried, and they’re all enjoying their “God-given freedoms”.
So, if the Rapture does come to pass, we here at Euronews Culture will be eating a whole concrete mixer full of humble pie. If it doesn’t, see you tomorrow, and do spare a thought for those who are going to be very disappointed on Thursday 25 September.
And if extra-terrestrial beings followed Tara Rule’s advice (see below), thank you alien visitors for joining in on the fun. And if you could provide some much-needed guidance on how to do better, that would be grand.
Only a few more hours left to find out…
Culture
‘Dawson’s Creek’ reunion sees James Van Der Beek make surprise appearance amid cancer battle
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