Other News
Inside House of Guinness’ era and timeline
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The much-anticipated series, House of Guinness, has finally landed on Netflix, with viewers eagerly tuning in to the eight-part drama, reports the Irish Mirror.
Created by Steven Knight, the mastermind behind Peaky Blinders, the series follows the Guinness children as they navigate life after their father’s death, striving to transform the company into a world-class enterprise.
Netflix’s latest offering intertwines family drama, romance, politics and history, plunging viewers into the heart of 1860s Dublin.
With its breathtaking locations and incorporation of real-life figures and events, some are left wondering if it’s based on a true story.
Many are also keen to delve into the historical context of the show. Let’s take a closer look at the era.

(Image: NETFLIX)
What year is House of Guinness set in?
The action kicks off in 1868 in Dublin, Ireland, following the death of Guinness patriarch Benjamin Lee Guinness. In the wake of his passing, his children Arthur (portrayed by Anthony Boyle), Edward (Louis Partridge), Anne Plunket (Emily Fairn) and Benjamin Junior (Fionn O’ Shea) strive to carve out a new legacy for the company and the family.
The narrative unfolds two decades after Ireland’s Great Famine, also known as the Great Hunger, the Famine, or the Irish Potato Famine, which spanned from 1845 to 1852.
This devastating famine triggered mass migration to America, leading to the Irish diaspora in New York that Byron Hedges (Jack Gleeson) interacts with.
Once again, this mass exodus crippled the nation as people sought better prospects in the New World.
House of Guinness highlights the dire poverty afflicting people across Ireland, particularly through scenes depicting those residing in the docks and the village of Cloonboo, where residents were ravaged by hunger and illness.
Politically, there remained a persistent rift between Catholics and Protestants.
The Guinness dynasty was Protestant with English connections, and like numerous other Protestants, they received land grants and privileges from England upon settling in Ireland.

(Image: NETFLIX)
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Conversely, Irish Catholics endured destitution, as portrayed through those toiling and dwelling in the dock areas.
The Irish Republican Brotherhood represented a Catholic faction seeking home rule and self-governance for Ireland.
Additionally, an American branch of the Irish Brotherhood existed, championing the independence movement from across the Atlantic.
Furthermore, Ellen Cochrane (Niamh McCormack) headed The Ladies’ Committee and remained politically engaged during an era when women lacked voting rights or legal standing.
Actress McCormack explained: “Ellen’s right in the middle of it all – the political chaos of the time. It was a very difficult period to live in Dublin – just 20 years after the famine, there was a generational silence and trauma.
“She would’ve seen a lot growing up, and I think that’s why she’s so passionate about Irish independence.”

(Image: NETFLIX)
She went on to say: “The Ladies’ Committee was her way of incorporating women into politics.
“At the time, women had no voice, no vote, and no real rights. So this was her stance: to modernise Irish politics and push for equality. She lives her life through those principles.”
Another intriguing aspect was the temperance movement of the era, with both Catholic and Protestant religious leaders advocating for reduced alcohol consumption, which would have been at odds with the growth of the Guinness company.
The first series moves into 1869 when Arthur loses his seat in Parliament after widespread bribery and corruption were discovered among his agents, although he himself was not found guilty.
The finale concludes in the 1870s as Arthur prepares to run for Parliament once more, with the historical figure being re-elected in 1974.
House of Guinness is streaming on Netflix now
Breaking News
Kneecap rapper’s terror case thrown out
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Kelly Bonner and Barry O’ConnorBBC News NI
The terrorism case against Kneecap rapper Liam Óg Ó hAnnaidh has been thrown out following a technical error in the way the charge against him was brought.
He was charged in May after allegedly displaying a flag in support of proscribed organisation Hezbollah at a gig at the O2 Forum in Kentish Town, London, in November 2024.
The 27-year-old, who performs under the stage name Mo Chara, denied the charge and has described it as political.
Chief Magistrate Paul Goldspring told Woolwich Crown Court that the charge against Mr Ó hAnnaidh was “unlawful” and “null”.
The court erupted into applause as the judge handed down the ruling.
As Mr Ó hAnnaidh left the court his parents hugged him and said they were “delighted” it was over.
First Minister Michelle O’Neill has welcomed the ruling.
The case was due to be heard at Westminster Magistrates’ Court but was moved to Woolwich, due to a burst water main.
Hezbollah is proscribed as a terrorist organisation by the UK and it is a crime to express support for them.
During a court appearance on 20 August legal arguments around whether the charge was brought within the six-month time limit were heard.
His defence team were seeking to throw the case out, citing a technical error in the way the charge was brought against Mr Ó hAnnaidh.
Who are Kneecap?
Breaking News
Glasgow’s Argyle Street Ash wins Tree of the Year title
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An ash tree on a busy Glasgow road has been crowned Tree of the Year 2025 after being nominated by the public as a wildcard entry in the contest.
The Argyle Street Ash was named the winner of the Woodland Trust competition on Thursday after a public vote.
Other contenders included an oak that may have inspired Virginia Woolf and a lime representing peace in Northern Ireland, a nod to this year’s theme of “rooted in culture”.
A panel of experts selected nine trees of differing ages and species for the shortlist, while the public were allowed to choose a 10th option as a wildcard.
The Argyle Street Ash was then put forward by David Treanor – an arborist from Glasgow who has been managing the tree for the past five years.
Mr Treanor pointed to its reference in the 1951 book by journalist James Cowan, from a book called Glasgow’s Treasure Chest, in which he describes the Argyle Street tree as “quite the most graceful ash I have seen”.
The quote hangs framed in the pub opposite the tree, which hosts Gaelic live music events.
He told BBC Scotland News: “There are stories of people’s mothers and fathers meeting underneath the tree, there are people who hail taxis and ask it to be sent to the big tree on Argyle Street – there are so many lovely wee stories about it.
“It was the people’s tree, the only urban tree on the shortlist and people in Glasgow got behind it.”
Anna Perks, the tree equity lead at the Woodland Trust, said it “had been a delight to see the human connection” to the tree be shown during the voting.
She added that it was tied up in local people’s stories in the area.
As the winner of the competition, the ash will now progress to represent the UK in the European Tree of the Year finals in early 2026.
The Glasgow tree narrowly beat the King of Limbs Oak that inspired a Radiohead album, and the photographic Lonely Tree, which sits on the edge of the Llyn Padarn lake in North Wales.
The ancient Lady Jane Grey Oak in Leicester’s Bradgate Park, and a cedar with low-sweeping boughs where The Beatles were photographed at London’s Chiswick House, completed the top five in the rankings.
Mr Treanor said he hoped the win for the Argyle Street Ash would be “a victory for misunderstood urban trees all over the world” and that other urban trees elsewhere would be allowed to remain in place.
The Woodland Trust said the “rooted in culture” theme was chosen to celebrate how trees shape the cultural landscape in literature, music, poetry and art.
Adam Cormack, head of campaigning at the charity, said there had been a great response to the contest.
He added: “Trees really matter to people, and this is clear from the response we’ve seen to the Argyle Street Ash.
“Trees inspire us to write stories and create art, whilst connecting us to cultural legacies and a sense of place.
“We encourage people to notice and enjoy the trees around them, and learn more about how they benefit us – from boosting biodiversity and wellbeing, to mitigating the effects of climate change.”
Laura Chow, head of charities at People’s Postcode Lottery, which supported the competition, said the Glasgow tree was a worthy winner.
She said: “These trees, rooted in culture, show how valued they are by their communities, and the significant importance they have in our wider cultural history.
“What a worthy winner the Argyle Street Ash is.”
2025 is the second year in a row that a Scottish tree has taken the prize – last year the Skipinnish Oak in Lochaber came first in the vote.
Prior winners include a sweet chestnut tree in Wrexham’s Acton Park, an ancient yew tree at Waverley Abbey, the Allerton oak tree in Calderstones Park in Liverpool and Nellie’s Tree, also known as the Love Tree, in West Yorkshire.
Other News
Prosecution of Kneecap’s Liam Óg Ó hAnnaidh dismissed in London court
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The case in London against the Kneecap rapper Liam Óg Ó hAnnaidh has been dismissed.
On Friday morning Mr Ó hAnnaidh won an application to have the case thrown out over a delay in issuing the charge.
Judge Paul Goldspring dismissed the case at a hearing in Woolwich Crown Court.
Mr Ó hAnnaidh had been accused by British authorities of showing support for a proscribed organisation by draping himself in a Hizbullah flag at a gig in London last November.
Mr Ó hAnnaidh, who performs as Mo Chara in the Belfast rap trio, had yet to enter a plea in the case, but he had publicly indicated that he intended to fight the charge.
At a previous hearing in August, his lawyers argued that the charge against him was issued a day beyond an official deadline. Prosecution lawyers denied this.
The judge had indicated that if Mr Ó hAnnaidh’s lawyers were shown to be correct, the case against him would be immediately dismissed on Friday.
If the jurisdiction ruling had gone against the Irish man, the case would have proceeded, and he would have had to enter a plea. Had he pleaded not guilty, a trial would have been set for a later date.
Friday’s hearing was moved to Woolwich Crown Court, in east London, following flooding at Westminster Magistrates Court, where the case had previously been scheduled.
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