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Flags, wars and fantasy kingdoms: Turner Prize artists show us their worlds

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Ian YoungsCulture reporter, Bradford

imagePA Media A silhouetted woman sitting on a gallery bench in front of Mohammed Sami's large paintingPA Media

English flags, Korean spirits, reams of VHS tape and apocalyptic war zones all feature in works by the artists whose installations are going on show in this year’s Turner Prize exhibition this weekend.

Nnena Kalu, Mohammed Sami, Zadie Xa and Rene Matić have been nominated for the annual contemporary art award.

They have each taken over a gallery at Cartwright Hall in Bradford – the current UK City of Culture – to display their art in the Turner Prize exhibition, which opens on Saturday.

They are “four very different artists offering an intriguing snapshot of contemporary art”, the Times’ art critic Nancy Durrant wrote, while the Telegraph’s Alastair Sooke said they show “a bewildering medley of materials and approaches”.

The winner will be announced on 9 December.

Find our more about the nominees and their work below:

Understanding Britishness (or not)

imageGetty Images A series of Rene Matic's photographs on the gallery wall including a young woman, a floral tribute with a Jamaican flag, graffiti reading "unite or perish" and a book of condolenceGetty Images

At 28, Rene Matić, from Peterborough, is the second-youngest nominee in Turner Prize history (after 1995 winner Damien Hirst).

Mixed-race and non-binary, Matić has assembled photos, banners, dolls and sounds that illustrate the artist’s grapples with their place in modern Britain, as modern Britain grapples with its own identity. As Matić puts it, an “obsession with understanding Britishness, or not understanding it”.

The first thing visitors see is a photo of a St George’s flag hanging in a London pub window above a sign saying “Private party”. It sends an unintentional but unwelcoming message that encapsulates a bigger picture, in Matić’s eyes.

The artist “primarily works with photography and their work talks about identity, society and a sense of belonging”, exhibition curator Jill Iredale says.

There is a jumble of more snapshots from Matić’s life – Gaza and Black Lives Matter protests, sweaty clubbers, kissing couples, graffiti, parties. Meanwhile, a giant flag says “No room” on one side and “for violence” on the other – a wry reference to the hypocrisy the artist feels can be present in politicians’ words.

imageEPA A shelf with black dolls of different types and sizes in Rene Matic's installationEPA

There’s also a cabinet holding 45 second-hand black dolls that Matić has collected.

“It makes you think about the way that they’re depicted, and about the representation of black people,” Iredale says. “The really startling ones struck me when we were installing them, like the really bright red lipstick that you get on what are essentially babies, and some with bright red or orange eyes.”

The Guardian’s art critic Adrian Searle said of Matić’s work: “Peace and protest, friendship and family are all mixed together, along with contested ideas of nationhood and belonging.”

Matić’s exhibits “express Gen Z’s spirit with panache”, wrote the Telegraph’s Alastair Sooke.

Floating fantasy kingdom

imageEPA A woman walking past a large colourful painting in a gallery bathed mostly in red light and swirling shapes in Zadie Xa's installationEPA

You must take off your shoes (or put on shoe coverings) to step onto the reflective, shiny gold floor in Zadie Xa‘s gallery – heightening the feeling that you’re walking into an otherworldly fantasy kingdom.

The London-based Canadian-Korean artist has created cloth patchwork paintings using the bojagi technique – resulting in stained glass-style pictures showing scenes inspired by Korean folk art and ocean creatures.

There are also shells hanging from the ceiling, as well as 665 small traditional bells arranged in a shell shape.

Combined with the coloured, shimmering floor and walls, and a soundtrack of muffled voices, gongs and bird calls, it all creates a powerful if unnerving feeling of floating in another realm.

imageEPA

It is “the most sensually alluring” of the four nominees’ exhibitions, Durrant wrote.

Sunday Times critic Waldemar Januszczak told BBC Radio 4’s Front Row it was an “extraordinary installation”.

“It’s a sort of new-age empire. You walk in and you’re not sure if you’re going into space or underwater or what,” he said. “It genuinely is transportative. You wander into there and you go to another world.”

Bursts of energy and colour

imagePA Media A man standing in the centre of a large number of suspended colourful sculptures made of various strips of multi-coloured tape and material in Nnena Kalu's installationPA Media

Large multi-coloured sculptures – haphazardly wrapped in brightly-coloured layers of ribbons, string, cardboard strips and shiny VHS tape – hang in mid-air in Nnena Kalu‘s room. Some take animalistic forms, looking like out-of-control piñatas.

Meanwhile, on the walls are large sheets of colourful paper covered in swirled patterns, some like tornados or whirlpools. They all come in pairs or trios, with the images in each set similar but not exactly the same.

Kalu is a learning disabled artist with limited verbal communication, and has been a resident artist with Action Space, which supports artists with learning disabilities, for more than 25 years.

Her “bursts of energy and colour” were made after a period of being unable to work on her art during Covid, Iredale explains. “So you get these big vortexes, it’s quite intense, with these outbursts of activity.”

imageGetty Images Three large yellow paintings by Nnena Kaluin a row with identical blue swirly patternsGetty Images

The sculptures and drawings are both made up of seemingly endless loops of swirls, squigles and strands.

“The sculptures are very much the same as the shapes that you get on the drawings,” Iredale says. “They’re kind of 3D embodiments of the drawings, but they’re produced independently.”

The Guardian’s Searle wrote about the drawings: “They are riotous and rhythmic, purposeful and compelling. There’s no fudging. Kalu deserves to win this year’s Turner Prize.”

Haunting war zones

imagePA Media The Hunter's Return by Mohammed SamiPA Media

Baghdad-born Mohammed Sami, who began his career painting official portraits of Iraqi dictator Saddam Hussein, is favoured by other critics.

“To my mind, only Sami deserves to win – in large part because of a single, remarkable new painting,” said the Telegraph’s art critic Alastair Sooke.

The Hunter’s Return, he said, is “an instant-classic contemporary history painting that perfectly expresses the dark, disoriented zeitgeist of our age of perma-conflict”.

The Hunter’s Return is a vast canvas depicting a war zone, with toppled trees and craters lit up by a fiery sky, and with green military laser beams emerging from the smoke.

imageEPA Mohammed SamiEPA

Most of Sami’s other paintings are also striking and huge, and give a visceral sense of the aftermath of destruction without actually including any people or identifying which battlefield they intend to show.

“They’re always hung quite low as well, so the idea is that you could step into the pictures,” says Iredale.

Another picture shows horses’ hoofmarks that have churned up a sunflower field; one is full of shards of flying crockery frozen in mid-explosion; and a third features a shadow of helicopter blades (or are they?) over empty palace chairs.

The Sunday Times’ Januszczak also judged Sami to be the best of the bunch. His exhibition “creates a feeling of tension, of disturbance, of unease, but it doesn’t spell anything out”, the critic said. “I found it absolutely gripping and very powerful.”

The Turner Prize exhibition is at Cartwright Hall in Bradford until 22 February.

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RAF and plumbing: The lives of England’s stars

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Hooker Amy Cokayne is one of the few England players to still have a day job since professionalism came into the women’s game six years ago.

The 29-year-old will play in her third successive Women’s Rugby World Cup final this Saturday, but alongside her rugby career she is also a police officer in the RAF.

The RAF’s Elite Athlete Scheme allows Cokayne to focus on her dream of lifting the World Cup while maintaining her military career in the background.

This weekend, the Flight Lieutenant will aim to keep the Canada pack in check at Twickenham, before at some point returning to her role of keeping pilots in order.

“I’ve never arrested anyone,” she told BBC Radio 5 Live’s Barely Rugby podcast this week. “I’ve done all my training, but I can’t imagine I will – I’m an officer, so I imagine I’ll just send someone.”

Cokayne, who comes from a military family, entered the RAF in 2017, after England lost the World Cup final, and even gave up rugby for a year.

“After the World Cup loss, I felt I needed something outside of rugby, to figure out a career,” she told ESPN.

“I think this has actually helped my rugby career, having that time away and realising I still love the sport. I still have that career to go back to when I hang up my boots.

“I’m really fortunate the air force support me to do rugby full time through the elite athletes scheme – but I try to help out where I can.”

It is a very different scenario now to when England last won the World Cup in 2014, where an entirely amateur side beat Canada in Dublin before going back to their daily lives shortly after.

Captain Katy Daley-McLean was a primary school teacher in Sunderland, while vice-captain Sarah Hunter was a university rugby development officer for the RFU.

Veteran back row Marlie Packer was part of the 2014 winning squad, where a week after lifting the trophy she was back at her job as a plumber – having had to take seven weeks of unpaid leave to prepare for and play in the World Cup.

“The customers I’ve been able to tell about it, they have been overwhelmed to see the medal and stuff – it’s really cool,” she told BBC News in 2014, while fixing a toilet.

Amy CokayneGetty Images

‘I absolutely loved teaching’

At the time, Packer said she was hopeful of one day being able to play rugby professionally for a couple of years before going back to plumbing. But given the change in landscape for women’s rugby in England over the past decade, she may never have to put down the rugby ball and pick up the wrench again.

“At the moment I’m doing my level three coaching award. I’ve had my level two for years,” she told BBC Radio Somerset in May.

“I think the sport has given me so much – not just to the person I am today but I’ve travelled the world, I’ve got friends all over the world.”

England are one of the very few fully professional nations in women’s rugby, which has played a part in making them number one in the world rankings and favourites for the World Cup final.

Opponents Canada, despite being number two in the world and having several players in the professional Premier Women’s Rugby in England, launched a crowdfunding campaign to boost their chances of competing against the bigger nations.

Marlie Packer in 2014Getty Images

But while the top of the English game is able to properly support professional athletes, many of the stars who will line up at Twickenham this weekend had to find other ways to support themselves before reaching that level.

Front row stalwart Lark Atkin-Davies was a primary school teacher before she played rugby professionally.

“It’s nice to reflect sometimes and see the journey that you’ve been on,” she said.

“It’s not always been smooth sailing for me and I think there were some difficult times but obviously being professional for the last six years, I absolutely love it.

“Hand on heart, I couldn’t ask for a better job. I absolutely loved teaching and the children, but I still get those moments now when I interact with the children that come and watch the games.”

‘I thought I would be an Amazon driver for the rest of my life’

Meg JonesGetty Images

Another member of England’s pack, Hannah Botterman, nearly took a very different path before professional rugby arrived.

“I was a painter and decorator, proper van life,” she told the Barely Rugby podcast. “I was an apprentice for one of my mum’s friends. I was working from 7am until 4pm, then I’d do a night shift at the Harvester.

“The plan with the painting and decorating was that I would take the business on while the woman I worked for would have a baby. But then I got a contract from England and sacked it off, just as I was good enough to do it myself.”

Even the young, modern stars of women’s rugby felt the pinch of a working life when the coronavirus pandemic hit. Several players were made redundant during covid – while the RFU kept the XVs squad on furlough, those on sevens contracts were not.

Meg Jones’ speed, strength, industry and ability to be in the right place at the right time have made her arguably the best player at this World Cup.

But during Covid lockdown, she was contemplating a future working for Amazon.

“Toilet breaks are not really a thing. You’re in at 5am and then you probably leave about 4pm without having to wee,” said Jones, who by then had already been to a Rugby World Cup final. She had started the 2017 defeat by New Zealand at outside centre.

“It was scary. I’d never had another job in my life and suddenly my livelihood had gone. I just thought I was going to be an Amazon delivery driver for the rest of my life.”

On Saturday, Jones and co will instead look to deliver a first World Cup title on home soil for England.

And if so, they will all know just how hard they had to work for that achievement, on and off the field.

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Cigarettes, tobacco and vapes won’t be sole in vending machines from Monday

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CIGARETTES, TOBACCO AND vapes are banned from self-service and vending machines in Ireland from Monday 29 September.

The machines are often found in pubs and nightclubs, but the Vintners’ Federation of Ireland said their use has been decreasing in recent years.

The upcoming ban is part of the governments wider tobacco and nicotine plan, which aims to reduce smoking prevalence in Ireland to under 5%. Latest CSO figures suggest 18% of the population are current smokers.

Minister for Health, Jennifer Carroll MacNeill TD, has said the move will reduce children’s access to the products.

She said: “Sometimes children have been able to access these harmful products, this is unacceptable, and this ban will ensure that this can no longer happen.”

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“This is another significant milestone in implementing our national tobacco control policy. The ban aligns with our broader public health strategy to reduce and prevent tobacco and nicotine use in society and ultimately save lives.”

Minister of State with responsibility for Public Health Jennifer Murnane O’Connor TD said vending machines have been an “avenue of easy access” to nicotine use.

She added their use has been “shown to contribute to early experimentation and long-term addiction.” 

Less popular

Speaking to The Journal, the Vintners’ Federation of Ireland said use of the vending machines had become less popular, but was still relied upon as a source of income for some pubs.

A spokesperson for the group said: “While the number of members using vending machines has declined in recent years, some pubs still rely on them as a small source of ancillary income.”

“We will continue to keep members informed about the change and ensure they understand their obligations under the new law.”

The spokesperson said that staff working in pubs will retain the right to access the machines. 

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Trump promised retribution – how far will he go?

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imageAnthony Zurcher profile imageAnthony ZurcherNorth America correspondent

imageBBC A treated image of James Comey and Donald TrumpBBC

Donald Trump swept back into the White House this year promising, among other things, retribution against his perceived enemies. Nine months later, the unprecedented scope of that pledge – or threat – is fully taking shape.

He has vocally encouraged his attorney general to target political opponents. He has suggested the goverment should revoke TV licences to bring a biased mainstream media to heel. He has targeted law firms he sees as adversaries, pulling government security clearances and contracts.

Trump’s moves have been conducted with the kind of open zeal – brazenness, his critics say – that might belie how dramatic and norm-shattering they are.

His demand a week ago that the Justice Department prosecute a handful of named political opponents, for instance, is the kind of thing that, when it was discussed in private and revealed in Oval Office recordings a half-century ago, prompted a bipartisan outcry that led to Richard Nixon’s resignation as president.

Now it is just a blip in the weekly news cycle. And the pace at which Trump is expanding presidential authority in order to impose his will is if anything accelerating.

On Thursday, Trump signed an order on “domestic terrorism and political violence”, saying it would be used to investigate “wealthy people” who fund “professional anarchists and agitators”. He suggested liberal billionaires George Soros and LinkedIn founder Reid Hoffman could be among them.

Then hours later, Trump’s Justice Department announced it had indicted James Comey, the former FBI director and Trump critic whom the president had said was “guilty as hell” days earlier.

imageGetty

Trump has justified a looming crackdown on left-wing groups by pointing to two recent, and shocking, acts of violence. First, the killing of conservative activist Charlie Kirk on a college campus, and then this week’s gun attack targeting immigration agents in Dallas, in which two migrant detainees were wounded and one killed.

The president says his broader blitz of action is necessary, and urgent. The investigations of political opponents, he says, are about targeting law-breakers and members of the “deep state” who undermined his first presidential term. The mainstream media, in the view of his Maga coalition, should be held to account over alleged bias and “fake news”. Private businesses weakened by diversity policies and political corruption require the firm hand of government to set them straight.

He and his supporters also accuse the Biden administration of being the real culprit behind any presidential norm-breaking.

During the Democrat’s four years in office, Trump was indicted four times and convicted once. Several of his close aides – including fomer 2016 campaign chair Steve Bannon and trade adviser Peter Navarro – were prosecuted and imprisoned for contempt of Congress. Others were indicted for their alleged role in attempting to overturn the 2020 presidential election.

imageGetty Images Biden smilingGetty Images

The Biden White House directed social media companies to restrict what it characterised as harmful speech during the Covid pandemic. And the president attempted to expand presidential powers to implement his agenda, including student loan forgiveness, vaccine mandates, protection of transgender rights in public schools and environmental regulation.

Turnabout, Trump’s side might say, is fair play – but the differences between the Biden actions and those being undertaken by this president are at times stark.

While Trump was prosecuted, only two of the cases were brought by the federal government and both by a special prosecutor set up to be independent of Biden’s justice department. Biden, unlike Trump, remained largely silent about the cases. Many of Biden’s executive actions were undone by the Supreme Court, which so far has given Trump a free hand to operate.

Such details may be of lesser concern to Trump, however, who has portrayed himself as a persecuted figure – and used this sense of grievance to connect with many of his voters, who share a similar sense of injustice at an establishment they view as tilted against them. And Trump may feel less restrained in his second term given that, last year, the Supreme Court held that US presidents, including Trump, are largely free from criminal liability for official actions they take.

A tale of two presidents

Underlying the entirety of the debate about presidential power and “retribution” has been a fundamental disagreement between Biden and Trump over the nature of the existential dangers facing America and the world.

The core belief among many in the top ranks of Trump’s White House is that America – and Western civilisation writ large – face a dire threat from leftist culture, mass migration, unbalanced global trade and intrusive government.

During a fiery speech on Sunday at the memorial service for slain conservative activist Charlie Kirk, longtime Trump adviser Stephen Miller – the architect of Trump’s immigration policies and one of his most vocal defenders – said that America’s legacy “hails back to Athens, to Rome, to Philadelphia, to Monticello”.

“You have no idea how determined we will be to save this civilisation,” he said. “To save the West, to save this republic.”

imageCHARLY TRIBALLEAU/AFP via Getty Image People gather at a makeshift memorial for Charlie Kirk outside of the Turning Point USA headquarters in Phoenix, ArizonaCHARLY TRIBALLEAU/AFP via Getty Image

This kind of outlook stands in sharp contrast to the one outlined by Biden during his presidential term. In his view, the defining fight of the era was not between Western civilisation and forces that would destroy it, but between democratic and authoritarian nations.

“We’re at an inflection point between those who argue that autocracy is the best way forward and those who understand that democracy is essential,” Biden said in 2021. “We must demonstrate that democracies can still deliver for our people in this changing world.”

Now, Trump’s critics say, the current president is more than just abandoning that fight. In their view, he is pushing the US towards authoritarianism.

How the US political landscape changed

The Comey indictment, for those who believe Trump is an aspiring autocrat, is only the latest example of this president targeting critics based on a sense of personal grievance and retribution.

In the days before Comey was charged with making a false statement to Congress and obstructing justice, Trump called on Attorney General Pam Bondi to prosecute not just the former FBI director but also New York Attorney General Letitia James and California Senator Adam Schiff – figures he has accused of conspiring against him.

“We can’t delay any longer, it’s killing our reputation and credibility,” he wrote. “They impeached me twice, and indicted me (5 times!), OVER NOTHING. JUSTICE MUST BE SERVED, NOW!!!”

imageReuters US President Trump Meets in WashingtonReuters

The federal prosecutor who had been investigating Comey and James resigned amid the pressure, and was replaced by a former personal lawyer to Trump. She is reported to have personally presented the Comey case to the grand jury – a panel of citizens who assess the strength of the case – that indicted him.

“This is unprecedented, to have the president basically direct his people to indict a specific individual because he’s angry at that person,” Laurie Levenson, a law professor at Loyola Marymount University, told the BBC.

Other prominent critics of the president have also faced investigations. In August, federal agents raided the home and office of John Bolton, a former Trump national security adviser turned sharp critic, as part of an inquiry into his handling of classified documents. John Brennan, head of the CIA during the Obama presidency, is reportedly also under investigation.

imageGetty Images Richard Nixon makes the 'v for victory' symbol.Getty Images

President Trump has also waged a campaign against major media outlets, which he has said are overwhelmingly critical of him in violation of federal law. He has sued the New York Times and Wall Street Journal for billions of dollars, after settling suits with both ABC News and CBS News.

Last week, even some high-profile Republicans cried foul after Brendan Carr, the head of the Federal Communications Commission, successfully urged local stations to drop one of America’s biggest late-night comedy shows over comments host Jimmy Kimmel had made about Charlie Kirk, his suspected killer and the way Trump had mourned him.

The president then doubled down, saying networks that give him “bad publicity” should perhaps be targeted.

Amid the furore, Texas Senator Ted Cruz compared Carr’s threats against media companies to mob tactics, while his colleague Rand Paul of Kentucky called them “absolutely inappropriate”.

Some on the left go much further, however, drawing dark comparisons to 1930s Germany. “Trump is the Hitler of our time,” was one of the chants protesters lobbed against the president when he dined with aides at a Washington restaurant last month.

“Anyone who thinks we’re on the way to authoritarianism is wrong,” Democratic Senator Chris Van Hollen of Maryland said this week. “We’re already there.”

The Trump administration says such warnings are not only unfounded but hysterical – the manifestation of “Trump derangement syndrome”. They draw a direct line between such criticism and recents acts of violence, including the killing of Kirk.

“If you want to stop political violence, stop telling your supporters that everybody who disagrees with you is a Nazi,” Vice-President JD Vance said this week.

imageReuters U.S. Vice President JD Vance listens as President Donald Trump delivers a speechReuters

The concept of “democratic backsliding” and whether it’s happening in the United States, however, does not have to rely on fraught debates referencing the rise of 20th Century fascism.

The Varieties of Democracy Institute based at the University of Gothenburg in Sweden conducts an annual survey of the state of government around the globe. It found that 72 percent of the world’s population now lives in autocracies – the highest level since 1978.

In 2024, 45 countries were moving toward more autocratic government across the globe, including in places like Hungary, Turkey, Mexico, Greece and Ghana.

In these nations, the patterns were similar – erosions in freedom of speech, open elections, the rule of law, judicial independence, civil society and academic freedom.

Governments expanded their power over institutions and individuals. It didn’t happen in the same order or at the same speed, but in the end the destination was the same.

According to the institute, the US has been demonstrating similar “concerning” trends – trends they say are moving at a pace unprecedented in modern American history.

imageEPA Protesters gather outside the US Supreme Court, Washington DC on 1 July 2024EPA

“The expansion of executive power, undermining of Congress’ power of the purse, offensives on independent and counter-veiling institutions and the media, as well as purging and dismantling of state institutions – classic strategies of autocratisers – seem to be in action,” its latest report, released in March, found.

“The enabling silence among critics fearful of retributions is already prevalent.”

‘I am your retribution’

At a March 2023 rally in Waco, Texas, Trump was beginning to find his footing in his bid to win back the White House. A week earlier, he had publicly speculated that he was on the verge of being indicted in New York for fraud over hush-money payments to former porn star Stormy Daniels before the 2016 election. Those charges, for which Trump would ultimately be convicted, were filed five days later.

On that sweltering afternoon before a crowd of around 15,000 loyal supporters, however, Trump delivered a series of promises.

“I am your warrior,” he said. “I am your justice. And, for those who have been wronged and betrayed, I am your retribution.”

imageGetty Images Donald Trump sits at the defendant's table inside the courthouse as the jury is scheduled to continue deliberations for his hush money trial at Manhattan Criminal Court on 30 May 2024 in New York City.Getty Images

The concept of retribution became a common theme for Trump on the campaign trail for the next year and a half. Sometimes he would say “success” would be his retribution. Other times, such as in a series of interviews following his May 2024 felony conviction, he was more blunt.

He told television psychologist Dr Phil that “sometimes revenge can be justified” and “revenge does take time”. And in answering a question about retribution posed by Fox News’s Sean Hannity, he said that he had every right to “go after” Democrats “based on what they have done”.

On Friday, Trump said the indictment of Comey was “about justice, not about revenge” but added that he expected “others” would follow.

“This is also about the fact that you can’t let this go on,” he told a pack of reporters at the White House. “They are sick, radical-left people and you can’t let them get away with it.”

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