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Urgent review ordered into asylum seeker taxi costs after BBC investigation

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The home secretary has ordered an urgent review into the use and cost of taxis to transfer asylum seekers from their hotels to appointments.

The move by Shabana Mahmood follows a BBC investigation that found some migrants have to travel long distances on journeys costing hundreds of pounds.

One asylum seeker told the BBC he had taken a 250-mile journey to visit a GP, with the driver telling him the cost to the Home Office was £600.

Asylum seekers are issued with a bus pass for one return journey per week, but for any other necessary travel, such as a doctor’s appointment, taxis are called.

The BBC asked the government how much it spends on taxi travel for asylum seekers via a Freedom of Information Act request, but the Home Office said it does not keep these figures.

The File on Four investigation reported that asylum seekers must show proof of an upcoming appointment at the reception desk of their hotel, where a taxi is booked on an automated system. Public transport or walking is not presented as an option.

This can result in some unusually long journeys and others that are unusually short.

For instance, when migrants move between hotels, they sometimes keep the same NHS doctors – especially for GP referrals.

Work and Pensions Secretary Pat McFadden told BBC Radio 4’s Today programme he agreed that there should be an investigation into how the system works.

“I’m not surprised that this was a feature that caught people’s eye”, he said.

On Tuesday, housing minister Matthew Pennycook told the Today programme it was “questionable” that asylum seekers needed to take such long taxi journeys and said the government would “look into those cases”.

He added that asylum seekers were not “ordinary citizens just jumping on a bus”.

Shadow home secretary Chris Philp, said: “Every £600 taxi ride for migrants is money that should be paying for British patients to see their GP or for ambulances to turn up on time. This is why people feel the system is rigged against them.

“Labour are writing a blank cheque for illegal immigration while services for hard-working families are strained.”

Reform UK MP Lee Anderson said: “This is likely just the tip of the iceberg and yet another example of how the Tories and Labour have spent billions supporting migrants at the expense of our own people.”

A spokesperson for the Liberal Democrats called the taxi costs “a ridiculous waste of taxpayer money and shows exactly why the government must take the asylum crisis seriously and end hotel use”.

The report, however, highlights “the poor living conditions, profiteering and exploitation which characterise our for-profit asylum system”, Labour MP Bell Ribeiro-Addy said.

“We are setting people up to fail while the companies providing asylum accommodation make huge profits on taxpayers’ money and asylum seekers’ misery,” she added.

The BBC went into four hotels housing asylum seekers, as part of its investigation, uncovering cramped living conditions, illegal working, and fire alarms covered with plastic bags, as residents secretly cooked meals over electric hobs in bathrooms.

The BBC found:

  • Smoke alarms covered with plastic bags as residents cooking meals used electric hobs in bathrooms
  • A 12-year-old girl living in a hotel who had spent three-quarters of her life in the asylum system. “Once we get settled in a place, then they move us,” she said
  • Some asylum seekers saying they had no choice but to work illegally for as little as £20 a day to pay off debts to people smugglers

The issue of asylum seekers in hotels has become a heated political issue attracting protests and a legal challenge by an Essex council attempting to close a hotel in its district.

The government plans to end the use of hotels for housing asylum seekers.

In August, asylum seekers told the BBC that protests outside hotels left them feeling isolated and anxious.

They emphasised that they did not choose to live in hotels and struggled in “damp and dirty” conditions.

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A Michael Flatley press event was packed out today – but he’s back talking dancing, not politics

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DOES 30 YEARS of the same live dance musical performance not eventually get a little stale?

According to Michael Flatley, the Irish-American Lord of the Dance himself, it does not.

Ahead of the 30th anniversary of his hit stage production, Flatley was speaking in Dublin city today, across the road from the stage where the Lord of the Dance all began – the venue now known as the 3Arena but still commonly referred to by Dubliners as ‘The Point’.

Speaking to a room of reporters at the Gibson Hotel, Flatley explained that the hit musical show is not the same production that it was in 1996.


Michael Flatley picutred during the press event today. Photorapher / Photocall Ireland


Photorapher / Photocall Ireland / Photocall Ireland

“There’s a brand new set and a fabulous new lighting design, there’s new sound designs, new musical numbers, and a couple of new dance numbers,” Flatley said.

Interest in the anniversary performance is clearly high – the press conference was packed, with reporters lining a corridor afterwards for quick one-on-one chats with the now-retired superhoofer. 

A press statement passed around to the dozens of journalists in attendance humbly stated that Flatley “changed the face of Irish dance forever” with Riverdance, before moving on to the Lord of the Dance the following year.

Since its premiere just two years after Flatley’s iconic Riverdance performance as part of the 1994 Eurovision interval act, the Lord of the Dance has been viewed by over 60 million people across 60 countries.

Flatley parted company with the Riverdance producers just over a year after the Eurovision set-piece in a row over credit for the choreography of the show’s touring production. 

Lord of the Dance debuted in The Point in July of 1996 and went on to tour the world. An expanded version of the show was peformed to tens of thousands of people in London’s Hyde Park in 1998. 

According to Flatley, over 500 people from around the world attended the most recent round of auditions to join the show.

“I’m endlessly proud of those people. We had auditions recently here in Dublin, and my God, they were so prepared, it was very difficult to choose one from the other.”

On his new dancers, Flatley said that they’re “like I’ve never seen them.”

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A number of dancers who are set to perform in the anniversary gig. Leon Farrell / Photocall Ireland


Leon Farrell / Photocall Ireland / Photocall Ireland

“They’re bouncing off the walls, because this is what they work for. They just performed in South Africa a few weeks ago, on the opening night they got a 10 minute standing ovation.”

Flatley, now aged 67, will not be making an appearance in the show.

Does he miss performing?

“How could I not miss it? Of course, I do, I always will,” he said.

“There’s a hologram toward the end of the show of me performing that I recorded just before I retired back in 2016. The audience seems to love it, but that’s as close as I’ll get to being back on stage.”

Áras bid

Seperately, it was confirmed today that just three candidates – Catherine Connolly, Heather Humphreys and Jim Gavin – will be contesting the presidential election.

Was it a coincidence that Flatley held the press conference today, as nominations closed, considering he had mulled over a run for the Áras himself earlier this summer?

Yes, of course it was, but Flatley did address his potential Áras bid.

“I’m sure the right person will take that job,” Flatley said. “These things are in the hands of God.”

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Flatley pictured with two performers from the anniversary show. Photorapher / Photocall Ireland


Photorapher / Photocall Ireland / Photocall Ireland

Flatley is still receiving treatment for an aggressive cancer which he was diagnosed with two years ago.

He added that he could not “in good conscience” run for the presidency if he did not have “a clean bill of health”.

“If I did, it might have been different, but it wouldn’t be fair to the Irish people,” he added.

“You can’t lose track of the fact that this is for the Irish people. It’s not about me. It’s not about the individual, it’s for the Irish people.

“What do they want? It’s not up to me. My job is to represent my country to the best of my ability, and I believe under the current circumstances, I can better serve the Irish people by continuing to do what I do.

“If that ever changes, that’ll be the first thought in my brain.”

The Lord of the Dance will return to the 3Arena on 5 February to mark its 30th anniversary. Tickets will range from €30 to €80, and go on sale next week.

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Twenty injured in Yemen drone attack on Israel, rescuers and military say

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Rescuers say at least 20 people have been injured in southern Israel after the Israeli military said a drone was launched from Yemen.

The Israel Defense Forces (IDF) said the drone struck the resort town of Eilat on the Red Sea coast, with attempts made to intercept it.

The Magen David Adom emergency medical service said 20 people were taken to Yoseftal Hospital – including two men with serious limb injuries.

Israeli media has described it as a Houthi strike but the Yemeni group has not officially claimed responsibility.

Israeli TV stations broadcast live footage said to be of the drone strike and the area it hit, which showed billowing smoke rising from the site.

Footage posted on social media, verified by the BBC, shows a drone in the sky disappearing out of view as it flies down behind buildings. A few moments later, birds scatter as they fly up into the sky.

“IDF troops, alongside the Israel Police, were dispatched to the area of Eilat after receiving a report of a UAV attack,” the IDF said in a statement.

It added troops and the police were assisting in evacuating the area and a helicopter had been deployed to evacuate the wounded from the scene.

Israeli Defence Minister Israel Katz said: “Wishing a full recovery to those injured in the UAV strike in Eilat.

“The Houthi terrorists refuse to learn from Iran, Lebanon and Gaza – and will learn the hard way.

“Anyone who harms Israel will be harmed sevenfold.”

The army earlier said air raid sirens had rung through the town.

The attack, if claimed by the Houthis, would be one of the most serious launched by the group in terms of casualties.

In July 2024, one person was killed and 10 injured in a Houthi drone attack on Tel Aviv when a drone hit an apartment building near the US embassy branch office.

Eilat, popular with tourists, has been the location of other recent drone attacks, with one striking the town’s hotel area last week, according to Israeli authorities. No casualties were reported.

Earlier in September, one person was wounded when a Houthi drone hit Ramon Airport, just north of Eilat.

The rebel Houthi group has been launching missiles and drones towards Israel as part of what it describes as acts of solidarity with the Palestinians in the war between Israel and Hamas in Gaza.

The Houthis have also been attacking vessels in the Red Sea since the start of the war in Gaza.

The Iranian-backed rebel group, which considers Israel its enemy, controls Sanaa and the north-west of Yemen, but is not the country’s internationally recognised government.

Israel has retaliated by bombing Houthi-controlled areas of Yemen, including the Red Sea port of Hudaydah.

Earlier in September, the Houthi-run health ministry said 35 people were killed in Israeli strikes on Sanaa and al-Jawf province.

And in August, the group said its self-proclaimed Prime Minister Ahmed Ghaleb Nasser al-Rahawi was killed in an Israeli air strike.

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An iconic Dublin city mural has just been removed and replaced with ‘gaudy’ NFL graffiti

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ONE OF DUBLIN’S best-known street murals has been painted over and replaced with NFL-themed graffiti ahead of an American football game in Croke Park this weekend.

The mural, titled Do Not Remove, stretched across a two-storey hoarding on Ormond Quay.

It depicted a man with bricks covering his head, with the words “Do Not Remove” painted on one of the bricks.

The site is the derelict Ormond Hotel, which famously featured in the Sirens episode of James Joyce’s Ulysses.


Artists are currently painting NFL-themed artwork over the mural. Andrew Walsh / The Journal


Andrew Walsh / The Journal / The Journal

 The hotel fell into disuse in the early 2000s, though planning conditions for its redevelopment stipulate that it must reopen as a hotel and retain the Ormond name.

In 2022, Brazilian artist Neto Vettorello and Dublin artist Asbestos collaborated on the Do Not Remove mural.

Commissioned by the Association of Brazilian Families in Ireland, with support from the Brazilian Embassy, site owners Monteco Holdings Ltd, and Dublin City Council, the project marked 200 years of Brazilian independence and was presented as a “gift” from the Brazilian community to Dublin.

The striking, colourful piece blended both artists’ styles while delivering a commentary on dereliction and the housing crisis.

Now, only fragments of the mural remain, almost entirely covered by NFL branding.

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Part of the new NFL artwork. Andrew Walsh / The Journal


Andrew Walsh / The Journal / The Journal

The removal comes as part of a wider rollout of football-themed installations across the city, including works on Tara Street, Dame Street, and Barnardo Square, where a giant helmet has been erected.

Sunday’s game is expected to draw in thousands of US visitors, as the Pittsburgh Steelers take on the Minnesota Vikings.

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A giant football helmet at Barnardo Square. Andrew Walsh / The Journal


Andrew Walsh / The Journal / The Journal

A passerby on Ormond Quay described the new NFL artwork to The Journal as “gaudy-looking.”

One of the artists installing the new artwork said that the replacement of the Do Not Remove mural had been ordered by Dublin City Council.

Artist Neto Vettorello told The Journal that he was not contacted by Dublin City Council before his mural was painted over.

“It’s quite ironic, since the title of the piece was actually “Do Not Remove”,” Vettorello said.

“The Council just did what they usually do: keep the city grey, silent, and stripped of colour and voice.”

He added that the NFL theme was disappointing, and quizzed the US influence on the Dublin artwork.

“Nobody questions it, because we live in apathetic societies where public art is rarely created as a form of questioning. That’s what made the Ormond Quay mural special, it wasn’t decoration or advertising, it was a dialogue.

“I was celebrating female symbolism and independence, while Asbestos raised the issue of how stories are constantly erased.”

The council has been contacted for comment.

The artist added that the NFL installation will be painted over following the game on Sunday.

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