All That Is Over
Artist: Sprints
Label: City Slang
Culture
Sprints: All That Is Over review – Irish postpunks go thermonuclear in songs of unfiltered fury
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Irish artists have a history of struggling with their second albums, whether that be U2’s anaemic and preachy October or Hozier’s trite Wasteland, Baby!, with its irritating exclamation mark.
Others have stumbled, too. Fontaines DC’s A Hero’s Death was among their least essential, and The Frank and Walters spent years wandering the indie wilderness before releasing Grand Parade (admittedly their best release – but did it have to take so long?).
None of which weighs even for an instant on the shoulders of the Dublin postpunk four-piece Sprints, who follow up last year’s spectacular Letter to Self with an irresistible wrecking ball of a sequel. All That Is Over is a courageous album that represents a sharp departure from their debut, a heavy-hitting affair but one front-loaded with melodies that functioned as sugar mixed in with the spice.
[ Sprints: Letter to Self – Confessional album deals with experiences of struggleOpens in new window ]
All That Is Over exorcises the sunshine and goes big and dark. The album is confrontational and compelling, and it cares not a fig for expectations. In an industry fuelled by hype, it dares to be confounding and to require active engagement from the listener.
All That Is Over doesn’t take you by the hand: many thrilling moments are scattered amid the gloom, but it asks you to seek them out for yourself rather than laying them out on a platter.
It is a record of ideas, above all. Assembled in France with Daniel Fox, of Gilla Band, as producer, the album is, according to the group, a reaction to the many traumas in the world today, whether Gaza or the transformation of the United States into a dystopian Magaland. There are so many horrors that we can take our pick.
Hard times call for harsh songs, or so Sprints have concluded. Where they came flying from the traps on Letter to Self, here the tunes unfold darkly and languorously. A stygian doom envelopes the opening track, Abandon, where guitars prowl and growl and the drums go off like depth charges before Karla Chubb takes the stage. “Abandon all hope, hang the rope,” she growls.
It’s a bleak line that sets the tone for an LP wreathed in a feeling of despair that curls and curdles like fog rolling in from the sea.
Heavy though it was, Letter to Self was also stuffed with bangers. Second time out, Sprints are self-consciously suppressing their talent for effervescent pop. In its place the band bring raw, unvarnished catharsis – on Need they sound like a hellish version of the indie crowd-pleasers Wet Leg, zipping guitar doing battle with Chubbs’s nail-gun delivery. “Won’t you tell me you love me? Won’t you tell me what’s wrong?” she shrieks.
Like sunshine after thunder, the mood mellows somewhat in the second half. On Pieces, Sprints deploy roiling Pixies riffs as Chubb unpacks personal drama in a half-spoken chant. “Help me, help me, I’m a mess / She’s left my mind in a state of undress.”
That Sprints can be as catchy as anything when the mood takes hold is confirmed on the penultimate track, Coming Alive, which features a beautiful avalanche of guitar and a vocal as addictive as anything Taylor Swift, Chubb’s musical hero, might come up with.
That throat-clearing is followed by the project taking its leave with the broiling, purgative Desire – the sound of an indie disco shaken and stirred by pile-driver riffs. “It’s the good, the bad … the best you ever had,” Chubb intones as the song goes thermonuclear. It’s an outpouring of unfiltered fury that roots the listener to the spot.
All That Is Over isn’t a straightforward affair. If you feel music should be a refuge from the outside world, you may find it needlessly cruel and punishing. But it’s an album brimming with big concepts about the strong imposing their views on the powerless, and its rage feels well judged and of the moment.
In this troubling age we need pushback and anger. Sprints provide both in knock-out quantities.
Culture
Euronews Culture’s Film of the Week: ‘One Battle After Another’ – PTA’s talkin’ ’bout a revolution
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Culture
Prix Pictet 2025: Chilean artist Alfredo Jaar wins prized photography and sustainability award
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Alfredo Jaar’s eerie image of the Great Salt Lake in Utah has won this year’s Prix Pictet, one of the world’s leading awards for photography and sustainability.
The Chilean artist’s series, entitled The End illustrates how the area is being destroyed by excessive water extraction and has become what scientists have described as an ‘environmental nuclear bomb’.
Commenting on his work, Jaar said: ‘My objective in this series is to show the tragic fate of the lake and simultaneously reveal its extraordinary beauty and potential. In spite of the dire situation we are in, I wanted to create images of great beauty and sadness. In the face of the magnitude of this tragedy, I decided to print these images in a small, unspectacular format, as a kind of visual whisper, a lament for our dying planet.’
The Great Salt Lake in Utah, once a keystone ecosystem in the western hemisphere, has now lost 73% of its water and 60% of its surface area since the mid-nineteenth century, exposing toxic dust and driving salinity to dangerous levels.
The lake sustains $2.5 billion in direct economic activity yearly, supports 80% of the state’s wetlands, and provides a vital habitat for ten million migratory birds. Its collapse would be a tragedy of incalculable magnitude and a clear warning of things to come.
Sir David King, Founder and Chair of the Prix Pictet jury, said: ‘The economic, social and political impacts of the current climate catastrophe are immense. The diversity of approaches with which the twelve shortlisted artists have interpreted the theme was extraordinary and the exhibition they have presented at the Victoria and Albert Museum is truly remarkable.. Any one of the 12 shortlisted artists could easily have won.”
Jaar, whose series was chosen in response to this year’s theme, Storm, receives €107,000 as the winner of the 11th cycle of the prize. The work of of all the shortlisted candidates are shown below.
The Storm – Balazs Gardi
Gardi’s series charts the post-election attack on the US Capitol Building on 6 January 2021. As a young photographer in his native Hungary, Gardi witnessed how propaganda transformed a recently liberated Soviet client state into a kleptocracy. The Storm seeks to warn how how easily a privileged society could slide into an Orwellian dystopia.
Hands Tell Stories – Belal Khaled
Belal Khaled’s Hands Tell Stories began while he lived in a tent outside the morgue at Nasser Hospital in Gaza after his house was destroyed. The series documents hands that through their scars, their stillness, their grip on life, tell stories no voice could carry.
Seasonal Sky – Baudouin Mouanda
Baudouin Mouanda’s reconstructed photographs are based on real events during floods in Brazzaville, Congo, during the 2020 COVID lockdown. They are meant to serve as a reminder of the need to respect the environment or face reprisals from nature.
The Lovely Monster over the Farm – Camille Seaman
Twister chasing Seaman went after a type of thunderstorm called a supercell, which can produce grapefruit-sized hail and spectacular tornadoes. Their clouds can be up to 80km wide and 20km high, blocking out the daylight, creating a dark, ominous space beneath.
Hurricane Season – Hannah Modigh
Hurricane Season is a metaphor for living on the verge of eruption, for a sense that uncertainty, fear and anger bubble beneath the calm surface. Initially, Modigh was interested in Louisiana because of its violent history and wanted to investigate if this flows down the generations. She came to realise that fear of hurricanes and the widespread undertone of aggression came from the same source, they were natural reactions to feelings of threat.
Keep Dancing to the Beat of Your Heart – Laetitia Vançon
Vançon set out to portray Odesa on the Ukrainian Black Sea coast, a city both strategic and symbolic importance. Her photos work became a portrait of the people who stayed and resist in the face of war. Even in the heart of the storm, hope, tenderness, solidarity and spirit endure.
Are They Rocks or Clouds – Marina Canevea
Photography usually captures the aftermath of an event. This project instead is an attempt to foresee a future catastrophe, a repeat of the floods and landslides that devastated the Dolomites in northern Italy in 1966.
High Water in Venice – Patrizia Zelano
On 13 November 2019, Venice was submerged by one of the highest tides ever recorded. For Zelano saving books became the core of her exploration into nature’s evocative power and knowledge. Each photograph urges us to reconsider our relationship with the Earth, culture and fragility.
Amazograma #1 – Roberto Huarcaya
A storm discharges accumulated energy, not as mere destruction, but as a force seeking to restore balance. Roberto Huarcaya’s image captures that essence: a 30m-long frame of an Amazonian palm lying on the bed of the Madre de Dios River.
A Maquette for a Multiple Moment for the Hiroshima Peace Movement – Takashi Arai
The hypocentre, the point directly beneath or above a nuclear explosion, is a metaphor for invisibility and unreachability. Takashi Arai’s series explores atomic monuments as though navigating the hypocentre’s gravitational pull, taking hundreds of 6cm x6 cm daguerreotypes, an early form of photography.
Lucifier’s Vortex – Tom Fecht
Luciferines are cold-water plankton endangered by rising ocean temperatures. Their electrical effects occur when millions are exposed to oxygen while reproducing on the turbulent surface of the sea. Almost invisible to the naked eye, their sublime traces can only be captured ‘entre chien et loup‘, a magical twilight moment when the first blue rays of daylight intersect with the remaining reflections of the moon.
The Prix Pictet Storm series is now on display at the Victoria and Albert Museum, London, until 19 October 2025.
The exhibition will also be shown at the following locations:
Ishara Art Foundation, Dubai – 17 October to 13 December 2025
TOP Museum, Tokyo – 12 December 2025 to 25 January 2026
Luma Westbau, Zurich – 6 March to 5 April 2026
Culture
Spanish band accuses The Rolling Stones of plagiarism over lockdown song ‘Living in a Ghost Town’
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- Potter wins to share overall World Triathlon leadRead the full article on post. Flora Snelson BBC Sport Journalist 26 minutes ago Britain’s Beth Potter claimed her second gold in two weeks to become joint leader in the World Triathlon Championship series. After claiming her first 2025 gold in the Czech Republic, the 33-year-old’s second successive win in Weihai, China, puts pressure on… Read more: Potter wins to share overall World Triathlon lead
- Where Was ‘House of Guinness’ Filmed?This post was originally published on this site.Manchester, Liverpool, and Yorkshire double for 19-century Dublin.
- Where Was ‘House of Guinness’ Filmed?This post was originally published on this site.Manchester, Liverpool, and Yorkshire double for 19-century Dublin.
- Blue Lagoon Island Marks 40 Years of International Coastal CleanupThis post was originally published on this site.For the 40th year, Blue Lagoon Island’s Project B.E.A.C.H. (Bahamas Education of Animals and Conservation of Habitat) united hundreds of volunteers for the International Coastal Cleanup, tackling marine debris at Yamacraw Beach and safeguarding The Bahamas’ eastern shoreline.
- Turkish Airlines to Expand Its Fleet with Boeing OrderThis post was originally published on this site.Flying to more countries than any other airline worldwide, Turkish Airlines is taking another significant step forward in line with its strategic growth plans. The national flag carrier has reached an agreement with Boeing and will add a total of 75 wide-body Boeing 787-9 and 787-10 aircraft to… Read more: Turkish Airlines to Expand Its Fleet with Boeing Order
- Etihad Airways’ New A321LR Makes India Debut on Inaugural Flight to KolkataThis post was originally published on this site.Etihad Airways has launched its game-changing new A321LR aircraft on all flights to and from Kolkata, bringing a refined luxury experience to the popular Indian route. The sold-out inaugural flight, EY222, touched down at Netaji Subhas Chandra Bose Airport (CCU), Kolkata, India at 8.35pm on 24 September. All… Read more: Etihad Airways’ New A321LR Makes India Debut on Inaugural Flight to Kolkata
- Euronews Culture’s Film of the Week: ‘One Battle After Another’ – PTA’s talkin’ ’bout a revolutionRead more on post. QO൳R9%1shPV5> 1GHnћJRA1(ڞ0008`7`%}u’MIr;a’UQ.EB” Z,p))QmVqz)]gt.[fviJhc$rK}tAl}!q&E-b1Qk VyU8M8xX;Za]%p Ɓ%Ӥ*D3(48 Sw3ΰ5pn*pFfb8*meih F*E9o’TI7&CKejGrDTJqǕZEihgzqz7CN5�[I˨l.bHdº]4:ihJVQ;w4kUml~QGȐt-:|QTY9B)[]*fjo)fhԇ B}(“JЬM{�%re U:I#Y`[cN^c4Jƀ5`H”!x`Մ3h2j{02^% Zmv=CcrZaS*N)RjRP�8;_̳l)&K~os„M~ ߡma:[Oo’4ǜ _қ*۽_(eU T^/&r)V먷1.- .˕ Lֱd{ꚡMo-u}MA7r� 3]`”h#Bb|S2 XEkϞn6)�LD:bjE*.DZIYUTDS˒pNWW=]4dPB)j)2zFU4_B*�Jh”5e 7زkh0Bv)࢜pT “{*dB2`s`ՒJfRTVH}[*x.)u93B(H#)挰4%gW]nZ’4’Džz3p=ŗLC0ߣK5r%au2 КfȈ {D:LPa/ kXЉ-YM1&kY*%Z±#b�m?C|cջϤ�eDZ!`a Aھ”[TxS@ͭ}a Qh:k)8 4 t9hN7[Lbmug_NggjjIg=h;o T}d:zwkF9L6�ef:D#+xpu8c>^PNV`2!|{͗ qdQqtm7P%/E;p%zＩA0Aay>X_f+~`eɛo9t2S:Ly!>p.’iޙsɟSu6DW-/kF?RGs)CC|WXy>1L}gBpNz~Los^!=_A#>UKCG!ϓB@}·#ъt8q*MΙwJd+*d}K0`uhgXKal6=Jra/lon%i”w֓W3%J֙6TmۺPy8>g>*”!>9�( BDߎ2}[ &8Eg:`aFhX;q$; c2E’oA8sD ‘0 ž,z],]jPĽVs}CF0);VK{C}M~7i(܊/fF(ZKcXu0? g!’vGe1dvGbƱH$~x2[VAppd->HԘ 6ocuor9F{^D’ poa C1’@xՂv+ Jy’š39q”7ŝ’O瓥CG?GNj L�-X,W�p,ajAJv찴s!&yeؠTo;mZ5CGz0 @;,-V솉7?6WaRM=apS7Ө/,2qM`zgc+gb8ijTZ=a ~Byg&z!-:Ҩ�na0jk_o�?!i%+ęMts&Նw.d*he{VRU[ity 0796-T|2^,۪ Ү=#OQۙLd4urWgۻcrK@XEՓLl#!T;a@aICKW76m �\:ÔAfPWv/B:ymbnrpZQghsNS>gbn^ 39*;Ǫ⽳n-^QjzЄ槂gs `#+ k m1vC,$iO,4ЛljX#v_>!}=ur6µ{^;IB ƵDg^Od/ծ[(#!~Yy0[$s ̥&]@77rD(5(`VfnStق9yoٸ~!㗿’kv6_多’e`X… Read more: Euronews Culture’s Film of the Week: ‘One Battle After Another’ – PTA’s talkin’ ’bout a revolution
- Prix Pictet 2025: Chilean artist Alfredo Jaar wins prized photography and sustainability awardRead more on post. ADVERTISEMENT Alfredo Jaar’s eerie image of the Great Salt Lake in Utah has won this year’s Prix Pictet, one of the world’s leading awards for photography and sustainability. The Chilean artist’s series, entitled The End illustrates how the area is being destroyed by excessive water extraction and has become what scientists… Read more: Prix Pictet 2025: Chilean artist Alfredo Jaar wins prized photography and sustainability award
- Sprints: All That Is Over review – Irish postpunks go thermonuclear in songs of unfiltered furyRead more on post. All That Is Over Artist: Sprints Label: City Slang Irish artists have a history of struggling with their second albums, whether that be U2’s anaemic and preachy October or Hozier’s trite Wasteland, Baby!, with its irritating exclamation mark. Others have stumbled, too. Fontaines DC’s A Hero’s… Read more: Sprints: All That Is Over review – Irish postpunks go thermonuclear in songs of unfiltered fury
- Spanish band accuses The Rolling Stones of plagiarism over lockdown song ‘Living in a Ghost Town’Read more on post. _CO!cN{̑4k8)&v)U7laÞ{M uNUskE:Q=S=ѳb}TLM)SЊeА}ؽrZ0H$|L ‘ͦSg7[eF”Gw}#qPĝȒx ,(X xeBϦ{MU⤐%ts`}byq&s&w7W7zDt ^ܞrGg!Zv!,}f}@bdTRx/ί&v*a PS ~)rb[ &Ko}#ܝ^OץxC.;ܸe BoGr*m𐆐hڂIGs+u1˿iW;{|`3wpvxåR=,݀ !2FPo.0pn)d kv,#mLMyYyvfmښuT#CK]>%7ީ#})$)$+Œ[{)�5> tIC?)z9)x -5|m)wE3C! _(Lmor}oq| )Z*B qE~2Ԉ.Cy.Ӌ+lwuo.#_”UKݐU j$ 8 e]azBp,u)apʋ[vv;v9 ^9r/ܜid:?]w$fH(ixiƇ+ҷ=V”[{SAk=~3t/tvzNDsتqRJl{vXlr=hʸLXxFz3 _4#4/N£(oC0k4m42wҫx=Au,sqQY=+L:fA,X@�uDrLi0(!VBy8ɒ&Y’@ҶeԻ_V!-3%=’& 4HQZdEjF6_J:ZZ.&el݇qkZīFQEl�M Tn|”G;oi~p?5ٷys?GYsPliƢAR4E W “m}9XlZ>C_OK1i”~bSV7$!&4 A.VďKQqV[piކi[ӓ2)b;? E 44}mHr&h3bC;Qqw%5˼Hf+1{Xjx0,SzB 1′ j�^T 0>hk0ܵ˙rGC_6S1zr2fRG;9ܚ (UãB.l0U_jAG|ӔśdW#-6d:艣21I”;#W_-R_—/_us&ՕrPw˔5MhL fDSJ/,9yv$ԓm{ !?rky$⮋9$sҬ)1 k#1Dօ: oݞBoUm~ ;7�#:5M]jڗfE2%Q&% UƱ Ok5HڿY-~,s!lD:l”o>Yl#’~dNH^u桿#l5aEaazc]ˌV+8T9@vE*>נΈBUU瀓�3;~Gcŗl>Arɩvff[@o,NgqzPU” `:K8 5,tFN6lpxu: _bnF`”`2T’Ŷ0@/noAڜ.bHJH|Uؓ7| l莨Ӥ3:fqqECyOWEREgadP4,2qb7b`@ �)|Xh1jϥdWwKr+MfjIy 1R n+m1Xg6bZOtoV*k:ն^Qg}-n.^)_$xe:w-(ҳg^ҳ_PsE]uѷ-#.3′(ݢQA+ e.u0r.C:~38ϋ΅9+”낁Xv9]:3HQWἝU0bZ +2UתkWn/’ep%s٫{]xU?*=WMhQFSޥgH5+qߙ’zs?[f1G1o’n9S89.vxay?x4MM 馄Oft?|_st_QQ3 $ȁf)d0�… Read more: Spanish band accuses The Rolling Stones of plagiarism over lockdown song ‘Living in a Ghost Town’
- British court throws out terror-related charge against Kneecap member Liam Óg Ó hAnnaidhRead more on post. ADVERTISEMENT A London court has thrown out a terror-related charge against a member of the Belfast rap trio Kneecap. Rapper Mo Chara, whose real name is Liam Óg Ó hAnnaidh, had been charged with a single count for allegedly waving a flag in support of proscribed terror organisation Hezbollah at a gig… Read more: British court throws out terror-related charge against Kneecap member Liam Óg Ó hAnnaidh
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